area: 464 m²
project year: 2020
completion year: 2024
photographer: oleg bajura
lead architect: maxim calujac
project team: iulia moscalet, alina ocuneva, irina dubinschi,
iurie platon, constantin parabin, alexei gubenco
Set within the gentle topography of Moldova’s Criuleni district, this private house for a family of three unfolds as a quiet yet precise architectural statement — one that balances abstraction with memory, and geometry with lived experience.
Rather than asserting itself as an object, the house traces a continuous perimeter, its soft circular plan dissolving the hierarchy of façades. The architecture is read in motion: a slow promenade beneath a deep, overhanging roof, where interior and landscape are mediated by a rhythmic colonnade. This peripheral zone becomes the true heart of the house — a shaded, inhabitable threshold that expands domestic life outward.
At the core of the project lies a structural motif that operates almost like a fractal. The timber columns, repeated along the perimeter, are not identical units but subtly articulated elements, each composed of smaller geometric inflections. This recursive logic — from joint to column, from column to ring — establishes a continuity of scale, where detail and whole mirror one another. The result is a tactile structural language that resonates with craft traditions while remaining rigorously contemporary.
Materially, the house is defined by a deliberate contrast. A monolithic concrete base anchors the building to the relief, carving out a new datum within the sloped terrain. Above it, the timber structure introduces warmth, porosity and a sense of temporal depth. Glass dissolves the boundary between inside and outside, allowing the surrounding garden — with its seasonal shifts — to become an active participant in the architecture.
In this project, tradition is neither quoted nor stylised. Instead, it is translated — distilled into principles of structure, rhythm and inhabitation. The familiar language of колоннада and shelter is reconfigured into a contemporary syntax, where memory persists not as image, but as spatial logic.
The house ultimately positions itself between worlds: rooted in local culture, yet articulated through a universal architectural vocabulary. It is both precise and atmospheric — an architecture of continuity, where form, structure and landscape converge into a singular, measured gesture.